Briefing Paper: March 11, 2005 compiled by: Edward Kline, Andrew Blane
Art on Trial: the Case of Samodurov, Vasilovskaya and Mikhalchuk
On March 2, after an extended trial in Moscows Taganskaya District Court, the prosecutor Kira Gudim demanded sentences of 3 years deprivation of freedom for Yuri Samodurov, director of the Andrei Sakharov Museum and Public Center; 2 years deprivation of freedom for Ludmila Vasilovskaya, curator of the Sakharov museum; and 2 years deprivation of freedom for artist Anna Mikhalchuk. They were charged under Article 282 of the Criminal Code with inciting religious hatred and offending the feelings of religious believers for their role in organizing the art exhibition Caution! Religion at the Sakharov Center in January 2003. Prosecutor Gudim also asked, as additional punishment, that Samodurov and Vasilovskaya be banned from working in their profession and that the paintings from the exhibition held by the court as material evidence be destroyed. The verdict in the case will be pronounced by Judge Vladimir Proshchenko on March 28. Caution! Religion, the exhibition at the center of the trial, opened on January 14, 2003, with paintings and other works contributed by thirty-nine artists. The exhibition was seen by some 70 visitors before it closed four days later on January 18 after a group of young acolytes from the Russian Orthodox Church of St. Nicholas in Pyzhi defaced many of the paintings with spray paint and graffiti. The vandals were detained by police but a judge subsequently acquitted them of hooliganism on the grounds that their actions had been provoked by the exhibition. On February, 3, 2003, at the urging of Russian Orthodox Church officials, the Russian State Duma adopted a resolution which asked the Procurator General to take the necessary measures against the organizers of the exhibition. The district procurators office on February 28, 2003, initiated an investigation of the exhibition. Ten months later, on December 25, 2003, Samodurov, Vasilovskaya, Mikhalchuk, Narine Zolyan, and Arutyun Zulumyan were indicted as the organizers of an exhibition which was insulting and offensive to Christianity in general and to Orthodox Christianity and the Russian Orthodox Church in particular. (Zolyan and Zulumyan, Armenian citizens, having fled Moscow, were dropped from the case.) After further investigation and one false start in June 2004, when Judge Natalia Larina criticized the indictment and returned the case to the procurators office, the trial of Samodurov, Vasilovskaya, and Mikhalchuk reopened on September 30, 2004, with Judge Vladimir Proshchenko presiding. After several months of sporadic court sessions, during which the court heard the testimony of witnesses both for the prosecution and the defense, the trial concluded on March 2. Since January, 2003, more than 300 articles have appeared in Russia and abroad discussing the case and its implications for freedom of expression in Russia. Anatoly Shabad, a member of the Russian parliament from 1990 to 1995, wrote in The Moscow Times on June 16 As chairman of the Sakharov Museums governing board, I can state unequivocally that the exhibition was not intended to make a political statement. A group of artists were simply given the opportunity to share the fruits of their creative labors with one another and the public in a venue designed for this purpose. The organizers did not discuss, vet, or censor the works submitted for exhibition. (Samodurov in his final plea on March 2, 2005, reaffirmed that it was not his intention nor the intention of the other defendants to offend religious believers.) In the London Times Literary Supplement of August 13, 2004, Zinovy Zinik wrote that
Earlier, in its May 2003 issue, the magazine ARTnews had published a lengthy article by Konstantin Akinsha about the Caution! Religion exhibition entitled Orthodox Bulldozer - the title refers to the infamous incident when the KGB used bulldozers to destroy a 1974 outdoor Moscow show of unofficial art. Akinsha wrote:
It is indisputable that the Russian Orthodox Church has played a unique role in the creation and history of the Russian state. It is equally indisputable that the Russian Constitution in Article 14 stipulates that The Russian Federation is a secular state. No religion may be designated the official state religion or be made mandatory. Moreover, Article 29 declares that Censorship is prohibited, and Article 44 states that Everyone shall be guaranteed freedom of literary, artistic, scientific, technical and other kinds of creative activity. . Legal safeguards for freedom of expression are not needed for books, paintings and other works of art that are conventional in form and content. They are needed for works that disturb generally accepted ideas, that challenge traditional custom and practice. It is wrong to make such works the grounds for criminal prosecutions. Opinions have varied about the artistic merits of the works displayed in the Caution! Religion exhibition. And questions have been raised about where the line should be drawn in conflicts between the right of free expression and the prohibition against advocacy of national, racial or religious hatred that constitutes incitement to discrimination, hostility or violence. But there is general agreement among informed, objective observers that the exhibition Caution! Religion should not have become the subject of a criminal trial and that incarcerating Samodurov, Vasilovskaya, or Mikhalchuk would be a flagrant violation of the prohibition on cruel or degrading punishment contained in Article 21 of the Russian Constitution and Article 7 of the International Covenant on Civil and Political Rights Serge Schmemann, the son of an eminent Russian Orthodox theologian and currently an editor of The International Herald Tribune, published an article on the editorial page of the New York Times (February 23, 2004) entitled Balancing Art, the State and Religion Without Calling the Police. It is worth quoting at length.
It is evident that one of the motives for the passionate attacks on the exhibition is anger at the Sakharov Centers support for liberal causes generally and for a peaceful political settlement of the conflict in Chechnya in particular. The Public Committee for the Moral Revival of the Fatherland, chaired by Alexander Shargunov, archpriest of St. Nicholas in Pyzhi (whose parishioners vandalized the art exhibition), on February 2, 2003, wrote to President Putin as follows:
The public debate concerning Caution! Religion has elicited speculation in Russia on Sakharovs religious views and whether it was appropriate for an institution dedicated to his legacy to host such an exhibition. Sakharovs reflections related to these subjects are in his Memoirs.
Yuri Schmidt, Samodurovs defense counsel, has stated that in the case of the Sakharov Center, the indictment does not conform to the Code of Criminal Procedure and violates many articles of the Constitution [including] the right to freedom of conscience, freedom of expression, and freedom of creative activity, as well as the right to seek, receive and impart information. I have to emphasize the charges complete lack of specificity and its vagueness. At least in the 1965 Sinyavsky-Daniel case the prosecutor specified those lines written by the authors which were allegedly anti-Soviet. In this case, we have only a list of the art works, and it is impossible to understand what is criminal about a given work and how each work incites religious hatred. Another defense attorney, Sergei Nasonov, in his summation on March 2, described in detail the legal defects of the prosecutions case. The significance of this trial, however, lies not in the technical legal details, but in the idea of imprisoning artists for their works and curators for displaying them, which is reminiscent of the imprisonment of Sinyavsky and Daniel for works of fiction. The prosecutors call for destroying the works displayed in the exhibit is grotesque and is reminiscent of book-burning by Nazis in Hitlers Germany. The outcome of this trial will be an important indicator of the extent to which the Russian state is reverting to the authoritarian practices of Soviet times.
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Appeals sent now, via e-mail or fax, before the verdict is delivered on March 28, may prevent the imprisonment of Yuri Samodurov, Ludmila Vasilovskaya and Anna Mikhalchuk.
These should be
1)addressed to Judge Vladimir Proschenko, the Taganskaya Court, Moscow 2)and sent via: Yuri Samodurov (e-mail samodurov@sakharov-center.ru fax: (7-095) 917-26-53), The Andrei Sakharov Museum and Public Center; 57, Zemlyanoi val, Moscow, Russia 3)with copies sent to the Russian embassy in your own country and to your own countrys representatives in Moscow. or, in case of difficulty, send via: The Andrei Sakharov Foundation, Edward Kline, 1165 Park Avenue, NY, NY 10128 (e-mail edward.kline@worldnet.att.net fax: (1-212) 722-0557) Further details on the case and the trial can be found on the Russian-language web site of the Andrei Sakharov Center: http://www.sakharov-center.ru/index.htm
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The Andrei Sakharov Museum, Public Center and Archive
After Andrei Sakharovs death in December 1989, Elena Bonner founded the Public Commission for the Preservation of the Legacy of Academician Sakharov.
In 1994, the Sakharov Archive was organized, and in 1996 the Andrei Sakharov Museum and Public Center was established in two buildings provided by the city of Moscow. The Museum in the main building has exhibits on Andrei Sakharov, and on the history of repression and resistance in the Soviet Union. The exhibition hall is used for temporary exhibits on human rights and other public issues.
The Public Center conducts lectures and conferences on Russian society today and makes its auditorium and conference room available for non-commercial groups to hold events consistent with the mission of the Center. It has an open-shelf library, a research and publication program, and an outreach program that sponsors a local group, the Top-Sambo Youth Club.
The Sakharov Center, rooted in the human rights movement of the 1970s and 1980s and Sakharovs ideals of tolerance, democracy, and civil liberties, strives to serve as a sorely needed rallying point for Russias developing civil society.
Yuri Samodurov
Yuri Samodurov was born in Moscow in 1951. From 1969 to 1971, he served in the Soviet army as a corporal. In 1978 he graduated from the Moscow Institute of Geological Surveying (MIGS), and in 1985 he was awarded the degree of Candidate of Science for his thesis on the geology of phosphate rock in Transcaucasia. When Gorbachev came to power in 1985, Samodurov was working in the economic department of MIGS on the development of democratic management practices. Samodurov played an active role in the Perestroika Club, and he was a founder of the Memorial Society, serving from 1987 to 1989 as a member of its governing board. Since 1990, Samodurov has been executive director of the Andrei Sakharov Archive, Museum, and Public Center.
Yuri Schmidt
Yuri Schmidt was born in Leningrad in 1937. In 1991, he organized and was elected chairman of the Russian Lawyers Committee for Human Rights. Among the cases he has tried, Schmidt is best known for his successful defense of Alexander Nikitin who was charged with divulging state secrets for revealing the environmental risk to the Barents Sea posed by rusting Russian nuclear submarines. In 1997, Schmidt was named Russias Lawyer of the Year and received the Femida Prize, Russias highest honor in jurisprudence.
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